Key Gifford bears the weight of the whole world on his shoulders. As the 13th Devil, Key was born for a specific purpose: either to be a sacrifice-a way for Hell to claim and destroy the earth-or to make a Garden of Eden of our world and grant humans immortality. Key is the single catalyst to Armageddon or deliverance, and being responsible for the salvation or death of humanity is a burden he is desperately trying to escape. In this powerful debut novel, Key and his partner, Elizabeth Hellsing, must find the Shroud of Turin if they are to have any hope of changing Key from the 13th Devil into a human. They'll face unholy opposition at every turn, but if they succeed, it will cancel out the prophecy, free Key from his own sacrifice... and save the Earth from total destruction.

The United States Geological Survey (USGS) is a scientific organization created in 1879, and is part of the U.S. government. Their scientists explore our environment and ecosystems, to determine the natural dangers we are facing. The agency has over 10,000 employees that collect, monitor, and analyze data so that they have a better understanding of our problems. The USGS is dedicated to provide reliable, investigated information to enhance and protect our quality of life. This is one of their reports.

The very best essays from fifty years of scholarship and thought Essays by Margaret Walker Alexander, Alfred Bendixen, David C. Berry, Augustus M. Burns, James Taylor Carson, Thadious M. Davis, Susan V. Donaldson, Don H. Doyle, Barbara C. Ewell, Robert L. Hall, William H. Hatcher, Arthell Kelley, Manning Marable, Joseph Millichap, Willie Morris, John Solomon Otto, Harriet Pollack, Kathryn L. Seidel, John Ray Skates, Randy J. Sparks, Martha Swain, and Anne Bradford Warner The Past Is Not Dead is a collection of twenty literary and historical essays that will mark the fiftieth anniversary of the Southern Quarterly, one of the oldest scholarly journals (founded in 1962) dedicated to southern studies. Like its companion volume Personal Souths, this essay collection features the best work published in the journal. Essays represent every decade of the journal's history, from the 1960s to the 2000s. Topics range from historical essays on the Mississippi frontier, southern religion, African culinary influences, and New Deal politics, to literary essays on George W. Cable, James Dickey, William Faulkner, Eudora Welty, and Richard Wright. Important regional subjects like the Yazoo Basin and Mississippi blues are given special attention. Contributors range from such noted literary figures as Margaret Walker Alexander and Willie Morris, to literary critics Thadious M. Davis, Susan V. Donaldson, Kathryn L. Seidel, and Joseph Millichap, to scholars of African American studies such as Robert L. Hall and Manning Marable and historians including Don H. Doyle, Randy J. Sparks, and Martha Swain. Collectively, the essays in The Past Is Not Dead enrich and illuminate our understanding of southern history, literature, and culture, and celebrate the work of a distinctive, distinguished journal.

"The Past Is Not Dead" is a collection of twenty-one literary and historical essays that will mark the 50th anniversary of the "Southern Quarterly," one of the oldest scholarly journals (founded in 1962) dedicated to southern studies. Like its companion volume, "Personal Souths," "The Past Is Not Dead" features the best of the work published in the journal. Essays represent every decade of the journal's history, from the 1960s to the 2000s. Topics covered range from historical essays on the French and Indian War, the New Deal, and Emmett Till's influence on the Black Panther Party to literary figures including William Faulkner, Robert Penn Warren, Richard Wright, Eudora Welty and Carson McCullers. Important regional subjects like the Natchez Trace, the Yazoo Basin, the Choctaw Indians, and Mississippi blues are given special attention. Contributors range from noted literary critics such as Margaret Walker Alexander, Virginia Spencer Carr, Susan V. Donaldson, James Justus, and Willie Morris to scholars of African-American studies such as Robert L. Hall and Manning Marble and historians including John Ray Skates, Martha Swain, and Randy Sparks.

Collectively, the essays in this volume enrich and illuminate our understanding of southern history, literature, and culture.

Tell someone you suffer from bipolar disorder, and that person may assume a great deal. For instance, he may want to call you crazy-inches away from your next psychological break or maybe even dangerous. These assumptions are thanks to media renditions of insane asylums and men in white coats. In the case of Mr. Kenneth Watson, none of these assumptions would be true, and yet he is bipolar manic. "I Am Bipolar Manic" is the true story of one man's psychological journey. Diagnosed with bipolar disorder very late in life, Watson spent many years as a successful businessman in England before relocating to the United States. Once in America, his success continued. It was quite a shock when his bipolar diagnosis came to light in Watson's seventies. Surprisingly, though, Watson considers his self-proclaimed "brain malfunction" to be a gift from God. Watson never has nightmares. He has mind power over physical pain, and he often finds himself floating on emotional highs. He has certainly made mistakes in his life, but no human being is infallible-including those suffering from bipolar disorder. "I Am Bipolar Manic" is a look into an aging psyche, still sharp as a tack, regardless of a so-called malfunction. Overcoming adversity is only the beginning of this inspiring tale.

Tell someone you suffer from bipolar disorder, and that person may assume a great deal. For instance, he may want to call you crazy-inches away from your next psychological break or maybe even dangerous. These assumptions are thanks to media renditions of insane asylums and men in white coats. In the case of Mr. Kenneth Watson, none of these assumptions would be true, and yet he is bipolar manic. "I Am Bipolar Manic" is the true story of one man's psychological journey. Diagnosed with bipolar disorder very late in life, Watson spent many years as a successful businessman in England before relocating to the United States. Once in America, his success continued. It was quite a shock when his bipolar diagnosis came to light in Watson's seventies. Surprisingly, though, Watson considers his self-proclaimed "brain malfunction" to be a gift from God. Watson never has nightmares. He has mind power over physical pain, and he often finds himself floating on emotional highs. He has certainly made mistakes in his life, but no human being is infallible-including those suffering from bipolar disorder. "I Am Bipolar Manic" is a look into an aging psyche, still sharp as a tack, regardless of a so-called malfunction. Overcoming adversity is only the beginning of this inspiring tale.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!